Hello there. Hi. It’s me. Louis. Louie. I don’t know which either. Anyway. I made a movie. It’s called “I Love You Daddy”. And I’m writing to tell you that it is opening in theaters on November 17th in New York, Chicago and Los Angeles, and then it will be opening nationwide in the following weeks and then all over France on December 27th and then in other countries early next year.
ALSO, Working with the distribution company, The Orchard, I was able to set up advanced ticket sales for the movie in all markets through my website, louisck.net much like when I go on tour.
You can go to my website now to buy tickets for the opening week shows in Chicago, New York and Los Angeles (and a bunch of other cities where the movie comes later.)
Next week, we will make tickets available nationwide on louisck.net. I will email you the second that happens. Or you can keep checking my website.
Go to my website now for a full list of where the movie is going to play (cities may be added later) and to see what’s on sale now and what isn’t yet but is coming, and to buy tickets immediately.
Internationally, it will play in these countries: France, Sweden, Norway, Denmark, Finland, Iceland, Latvia, Lithuania, Estonia, Portugal, UAE, Qatar, Kuwait, Oman, Bahrain and Israel
About the movie:
I Love You Daddy is a feature film shot on Black and White film (actual film) starring:
Chloe Grace Moretz
I wrote the film, from a story I wrote with Vernon Chatman. I directed the film and edited and self funded it.
This is the first movie I have made since Pootie Tang (16 years ago). I promise that this movie is better than Pootie Tang. Although some of you who loved Pootie Tang will disagree with me and those people will be wrong. I know that art is subjective, but Pootie Tang is not. And I say that with deep love for Pootie Tang, the character, not the movie.
Enough about Pootie Tang. On to I Love You Daddy.
How this movie got made:
A lot of you might remember that about two years ago, I created a series called Horace and Pete (still available at louisck.net). I paid for that show myself. When I did it, I told myself that I was parting with the money forever. It wasn’t an investment. It was a 4.5 million dollar grant to the "Make whatever the fuck I want" Foundation.
By that approach, I was able to make and roll out the show exactly the way I saw it, the way I wanted the audience (you) to see it, without any concern for commerce or profit.
In the end, the show made all the money back and more (with zero advertising) through website sales, and through licensing it to HULU, I was able to actually make a sizable profit for me and the actors and some of the crew, who own a piece of the show. That was a pretty good result.
So this year, I decided, I got the money back, I can throw it away again. This time to the "Make a Black and White Movie about a Shitty Father foundation.”
All that to say, that I want to really thank all of you who bought Horace and Pete because you gave me the freedom to make this movie.
To make I Love You Daddy, I got together with a lot of my usual crew. Paul Koestner did a gorgeous job shooting the black and white film. Amy Silver designed the movie perfectly. I found a new and terrific costume designer in Emily Gunshore. John Skidmore brought it all together as a producer and Adam Escott, my first AD, kept things moving.
The cast in the movie was a joy to work with. I had worked with Edie Falco on Horace and Pete and of course with Pamela on everything else. Chloe, who plays the daughter of Glenn, the idiot that I play, brought commitment and natural humor to her role.
John Malkovich did a great job playing a guy I am very afraid of. Because I really am afraid of him in real life.
Rose Byrne was a real pro and so Graceful and real.
Charlie Day is someone I wanted to work with for years because he is hilarious. He is very funny in this movie.
Ebonee Noel was brand new to me and I think she has a bright future.
The only people who have seen the movie, besides some press, have been the audiences at the Toronto Film Festival. We premiered there in September. The screenings were raucous and exciting.
We got some great reviews. The New York Times said it was one of the best two movies in Toronto.
Here are some reviews that were written after Toronto:
I really hope that you will come to see this movie in a theater. I made it to be seen on the big screen. Most of the movies you see these days are shot on a digital platform, which is terrific. I think it’s great that these new cameras that make such beautiful images are available and affordable so that more people can tell their stories. It’s part of why television has gotten so much better in recent years. There isn’t a cruel divide between those that can afford the elaborate nature of film and those who shoot on cheaper, less refined video.
I really wanted to shoot film again. Especially black and white. I have always loved the photography aspect of black and white film. And the best way to take it is, is projected on a big screen.
Also, the score. Zach Seman and Robert Miller created a stunning score and we went to Abbey Road studios in London to record it with an orchestra of about 80 elite players. Again, you will hear this best if you go to a theater.
I wanted to make you feel like you are “going to the movies”. I think you will really enjoy going to this movie, seeing all the effort on the screen, and sharing it with members of your community. Laughing together. Booing together. Farting together. I saw this movie with two audiences in Toronto. They laughed and sometimes gasped and sometimes listened in silence. When the credits rolled, they applauded. But my favorite part was at the very end, when the lights came up, everyone immediately turned to their neighbor and started talking. There was a sudden din of loud talking and discussing, like someone had popped the sound on during a scene that takes place at a crowded restaurant. To me, that sound, of people discussing and arguing about the film, was better than applause.
Here’s a little FAQ to cover the rest of the info:
Q: What is this movie about?
A: Go find out. You’ll get a sense of it from the Trailer and you can read about it. But I suggest you just go see it.
Q: Is it funny?
A: Well people in Toronto laughed their asses off. But like a lot of things I make, it’s not for everyone.
Q: Will you be selling this on your website?
A: Yes. I Love You Daddy will be available down the road on my website as well as other platforms. But first we want you to see it in a theater.
Alright. I think that’s enough questions.
Go to louisck.net and buy tickets for opening weekend now.
I will contact you again next week to let you know when the next wave of tickets go on sale. Until then, I hope you enjoy I Love You Daddy.
Hello folks. It’s been a long time since I’ve written something... I’m doing it now because I’m offering a new film on my site and app called “Check It”. Here’s a trailer:
Check It is a documentary that I saw a little over a year ago at the Tribeca film festival here in New York. Steve Buscemi is an executive producer on the film and we were, at the time, winding up production of our series “Horace and Pete” (also still available on my site/app). Anyway Pete, I mean Steve! invited me to a screening of this film and I went because he’s a good guy.
The film knocked me right over. It was an amazing emotional ride. It was funny and moving, I learned a lot and it gave me a lot to think about after.
"Check It" was made over 4 years. Directed by Dana Flor and Toby Oppenheimer. It’s about a gay black street gang in DC (the only one documented in the country) made up of kids who were living on the streets and easy targets for violence and harrasment. They started this gang to protect each other. They made a family where they didn’t have one.
It’s not an easy film. It takes on life right where the rubber hits the road. What made me love it was just the kids themselves. They are like any kids, like anyone’s children. They are trying to cope against terrible odds, they are funny and full of hope and life. Their lives are difficult and complex. They are very generous in sharing this with the filmmakers and you, if you watch the film.
The film also portrays a wonderful guy who is a social worker and he looks after the gang and tries to influence them to have a better life. That guy is an inspiration. Also a young guy who teaches them fashion and is incredibly patient and focused, trying to teach kids who live on the streets, and give them guidance when all they’ve known is neglect and violence. Also there’s a guy who is teaching one of the kids to box. All these people are examples that show that the will to reach out and help someone with consistency and love is everywhere.
Look, I know this isn’t what you’re expecting from me. Nor am I the guy you’re expecting to get this film from. I guess that’s why I’m doing this. When I saw this film, I knew that no one I know will ever see it. Documentaries are MUCH harder to make than the things that I do and they are FAR more expensive to the filmmakers in terms of their time and their lives and their emotional energy. And nobody much watches them. Those who do watch documentaries are usually people who are likely to be interested in the subject they cover already. But what a great value there is in showing people films about something that just isn’t on their radar. So that’s why I asked Steve, and Wren Arthur, who produced the film, if I could host "Check It" on my site so that lots of people can see it who may not have had it put in front of them.
I do this with great confidence because it’s a powerful film and I know that, whoever you are, you’re going to love it.
Check It can be bought, like everything else on my site, for 5 dollars. A simple pay and then download or stream process, or even more easily on my app, where you can just pay and watch with one click on any device or on your Apple TV.
Anyway, that’s it. I hope you all have a terrific summer. I hate the word terrific. But it just fits there so well.
Hello you gang. This is a message with some news about some new things. I hope this finds you well and hopeful.
I am writing to you today to let you know that I now have an APP. The App is basically a device-based form of my website. You can buy and watch my shows on this app. It makes paying and watching a lot easier. Any new shows I make in the future will pop up on this app and you can buy it and watch it across all your devices.
Also the app has a current running list of all the shows on my tour and you can click and buy tickets to those shows through the app as well. (I’m still touring through April and more shows will be announced soon).
If you choose to allow my app to contact you, you’ll get alerts when new tour shows are added, you’ll get alerts when new video shows are added and if I write any emails like this one they will come to you also through the app and the app has them all saved in a library.
The website and this email list remains the same. And if you use the app you can link it to your website account, so any shows you have already bought on louisck.net will be available to you on your device. You can use this app on an iPhone, an iPad, on a google thingy, a gizmodo or android device, an exploding samsung or the back of your mother’s spatula.
I’m also developing some new things that will only be available to app users. We’ll see how that goes.
The app is FREE and you can download it here:
HILARIOUS AND CHEWED UP NOW AVAILABLE
Two of my past standup specials “Hilarious” and “Chewed Up” are available on my app for the first time (also on the website). It costs the usual 5 dollars to stream, watch, whatever you want with each show. So my entire standup library is now available on the app (“Shameless” is in audio-only form).
Also, this matters to less people, but for people in Washington DC, I added a fourth show on Saturday night January 14th at the DAR Constitution Hall. It’s pretty much sold out, but what happened was a lot of people moved over from the Wednesday show to grab tickets for Saturday so now there are a bunch of tickets available for Wednesday. Just thought I’d let folks know about it.
Well so that’s all the news. I hope your holiday is going well and that it goes well. And I wish you all a Happy New Year. Meaning that I wish for your New Years Eve to be happy. It’s hard to wish hundreds of thousands of people to have an entire happy year. That’s a lot. That feels greedy and hopeless and also some of you might not deserve a happy year. Everyone deserves a happy moment or day now and again but a whole happy year I would wish on maybe eight people and four of them are terminally ill children.
Also please remember that the turning over of one year to another is a mental construct that bears no more weight than the things that keep us apart and in competitive categories as human beings. Time is not moving. You’re not losing or gaining ground. You’re not separate from “them” anymore than you’re separate from your own umbrella. It’s now, we’re us and this is here. If you’re in pain, this too shall pass. If you’re in luxury, this too shall pass. Ask an old lady how she’s doing. The internet is not real. Draw a picture on a napkin.
Love to all of you.
Hello there fans and subscribers and generally folks who still haven't kicked themselves off of my email list....
I'm writing you today because I'm offering something new on my website. This time it's not me. It's a great comedian named Barry Crimmins. Last summer I produced and directed Barry's first live standup special. It's called "Whatever Threatens You". It costs the usual 5 dollars, and it's really goddamn great. So please download it here.
Barry is a legend. A great mind, an author and activist and political satirist. He has been an important voice of passion and reason since the 1970s. He has stood before thousands of audiences of every size and type and told them the truth with wit and wisdom, with anger and compassion. Barry was a towering example to me when I started doing standup at age 18. He fostered the comedy scene that I cut my teeth on and later became my friend. More than all of that, I am his fan. I love his voice. He makes me laugh. He's always right. There has NEVER been another comic like him.
The great thing about comedians is that they get better with time. And I feel very lucky to be bringing you Barry's first standup special. I produced it and directed it and he worked incredibly hard over the last two years on the road shaping it and putting it together and he left every ounce of it on the stage when we filmed him. When you watch this special, you'll be seeing a great comic and a prime and only example of what comedy is at it's best. You'll see a comedian who cares about what he is saying and who brings integrity and experience and an unmatched skill as a writer to his performance.
About two years ago, Bob Goldthwait, a good friend of Barry's, produced a documentary about him titled "Call Me Lucky". It covers a whole other part of Barry's life where he made a huge impact.
Barry was a victim of sexual abuse when he was very little. He turned around his personal pain to help others by challenging the power companies of the internet to police child pornography, testifying before Congress and championing victims everywhere by sharing his own story. You should look for this movie on Netflix. It's great and also includes great footage of Barry's early work as a standup.
"Call Me Lucky" was shown at the Sundance Film festival last year and Barry was there to receive a thunderous standing ovation from the audience. He called me that night and we talked for hours about life and about comedy. I told him that I wish more people knew how great he is. I made him a promise that if he went on the road and built a solid hour I would shoot it for him and put it on my site. He took me up on it. I told him he could shoot it anywhere in the country he wanted. He chose Lawrence, Kansas. So we flew the crew into Lawrence and shot this special.
There are a lot of standup specials out there right now. On Netflix, on iTunes, HBO, whatever. But you won't see another like this.
Go here now to download it for 5 dollars. Or keep reading if you want to know more.
I met Barry when I started doing Standup comedy in Boston in 1985. As a kid, I loved standup. And I dreamed of being a comedian. But living in suburban Boston, I never would have found a path to actually being a comedian if it weren't for Barry. Because years before I started, Barry had been creating a standup scene where there wasn't one before. I loved Steve Martin, Richard Pryor, Eddie Murphy, George Carlin and my new favorite at the time, Steven Wright. What I didn't know is that Steven Wright was from Burlington Mass, a few miles from me, and that he had cut his teeth and found his path to fame in Boston Mass, which was a five minute drive down the Mass Turnpike, which ran noisily behind my house.
I probably would have stayed just a kid with a yearning and grown into a man with no skills and would have had no choice but to rob old ladies to make my living. But one day I was listening to the radio and they said "If you want to be a comedian come down to Stitches Comedy club on Comm Ave for the open mic night. All you have to do is sign up and you get five minutes on stage."
About a month later, I got the courage to go down there and try it. What I discovered was that Boston had a massive, thriving standup scene. There were four full time standup clubs, (Stitches, Play it Again Sams, Nicks, The Comedy Connection) which were packed seven nights a week, and an ever shifting constellation of satellite rooms and one-night gigs, spread all along New England, all populated with Boston Standups. Like Ray Liotta says in Goodfellas, "It was a glorious time, and wise guys were everywhere."
The standard for talent in the Boston Comedy scene was about here: Juliard-level performance skills and Mark Twain-level writing. You could walk into any comedy club in Boston and see any random comedian and the worst of them were polished, original and absolutely killed. And when you were lucky, which was often, because these guys worked like oxen, you could see a comedian that was better than ANYONE you ever saw on TV or anywhere else. Guys like Steve Sweeney, Jimmy Tingle, Don Gavin, Mike Donovan, Teddy Bergeron, Lenny Clarke, Ron Lynch, Joe Yanetty, Kenny Rogerson, DJ Hazard, Mike McDonald.
I'm not even close to covering the list here. And there were new younger comics who were hot and developing under the wings of and in the wake of these giants. Dana Gould, Tom Kenney, Paul Kozlowski, Billy Martin, Rich Ceisler, Frank Santarelli, Fran Salomita, Ed Driscoll, Zito and Bean, Fred Wilson, Tony V, Denis Leary. Every one of these comics and FAR more, too many to list, was working every night in the thriving comedy clubs around the city. Even open mic nights were packed with expectant crowds and populated by solid, new comedians who had a ridiculously high bar to meet, set, not by the famous comedians on TV and in movies, but by the local headliners who they had to follow.
The gravity of all of this pulled me in at age 18 and when I peeked inside the Boston comedy clubs, my jaw dropped at what was there. At how good these guys were and how much opportunity there was for a new young comic.
I came in to the Boston scene along with Marc Maron, Nick Dipaolo, David Cross, Laura Kightlinger, Janine Garafolo, Wendy Leibman, Sam Seider, John Benjamin, Jonathan Groff, Brian Frazier, Amir Gollan. Some of these you've heard of, some you haven't.
I got to know every comedian in Boston and I still know all their jokes by heart. I went to clubs every single night. I was a young annoying kid, and peppered them with questions about how they did what they did. And it wasn't long before I myself was able to make a living doing what I loved and dreamed of, because of the structure created by these guys who welcomed me into their world, taught me and inspired me.
I'm NOTHING without Boston and without those comedians, all of whose names I hope you google after you read this.
There are two names that are vital to this story which I've so far left out. Barry Crimmins and Kevin Meaney. They were two guys from upstate New York who came to Boston and, among other guys, were the ones who made all of this happen. I don't know the whole story, or even most of it, because I was in Junior High when it happened, but Barry, Kevin, a guy named Mike MacDonald, and a bunch of the guys on the top list of this email, started the Boston Comedy scene about eight years before I dropped into it, in a tiny Chinese restaurant in Inman square called the Ding Ho. They did shows there every night and there was always a line around the block. By the time I started, the Ding Ho had closed down, (the owner had gambling debts) but the scene had exploded into what I discovered.
Barry Crimmins was like the godfather of the whole thing. He was an intense, dark man with a full beard and glaring eyes. He was like a bear. Like a genius animal raised in the wilderness, who was educated at Oxford. He smoked cigars and drank beer and growled about Ronald Reagan. I was TERRIFIED of Barry when I was a new young comic. The general sense that was palpable when Barry was at a club, was that all these great comics looked to him. That he set the bar for creativity. There was a standard in Boston. You had to be original. You had to have an idea. You had to be creative. You had to write. That came from Barry Crimmins.
Because without Barry, as great as the comedy was in Boston, it largely followed the character of the city itself. There was a lusty, drunk, bitter energy to every show. A lot of comics would go on stage and tell stories about getting drunk and talk about the local sports teams and about getting laid. All worthy subjects. And the drunk crowds would laugh heartily, often shout back at the stage. There was a dangerous energy to every show and you always had a feeling that if you didn't get laughs, you might get the shit beat out of you after a show. Comedians even fought each other. It was a rowdy scene. But when Barry went on stage, people listened. Every comedian in the room would face the stage and watch him and listen. He was brilliant and compelling and he was "fuckin' Smaht". And he gave a bit of that to everyone else. He was also funny as hell. His jokes were sharp. He had a wicked fast ball, like Dennis Eckersly. He would explain the truth of a global situation and lay the groundwork through a quick education of the human condition and then ignite the atmosphere with a crackling joke. You'd laugh and say "Oh my god." As a new idea would explode in your mind along with the laugh from your body.
Later in life I became good friends with Steven Wright, who is also very close to Barry. Steven told me a lot about the Ding Ho, where he started. He told me how scared he was to be a comedian, at the same time as he wanted to be one. There was so much about it that ran against his personal nature (which is part of why he's great to watch) and how all the comedians at the Ding Ho, including Barry, taught him and encouraged him. My experience starting out was the same and that idea of teaching, mentoring and passing down a creative tradition, was fostered by Barry.
Kevin Meaney is someone you may have heard of. You also may have heard that he died on Friday. He was 60. Kevin was the gravity that pulled me into the scene.
Kevin was the most naturally funny comedian I ever saw. Every word he said was insanely hilarious. He had a funny voice, face and rhythm to his speech. But he had a childish courage that was goddamn inspiring. Whenever Kevin would bomb, and sometimes he would, he would start to sing a song "I don't care! I don't care! My jokes don't go over I don't care! I don't care! I don't care! IIII DOOON'T CAAARE!" I don't care! I don't care!" and he would sing this song, in Ethyl Mirman's voice, for sometimes 30 minutes. The crowd would be FURIOUS. I and any other comedian in the room would be literally on the floor, laughing, crying, gasping for air.
Kevin had a surge of fame right around the time that I met him in the mid 80s. He was given a shot on Letterman and it went so well that Johnny Carson demanded he come on his show and do the exact same set. I remember being at Play it Again Sams. We shut the showroom down and pretty much every comedian in Boston packed into the back bar to watch Kevin on Carson on a tiny TV that hung over the bar. We were so proud of him. Later he was on SNL and had his own show (Uncle Buck), and the whole country fell in love with his standup like I did. So he was also an example of what you could accomplish if you worked as hard as he did and were as wonderfully original and great.
Barry and Kevin were very close friends. They worked at the Ding Ho together. They built and shaped the Boston scene together.
I loved every comedian in Boston. I really did. I still do. But Barry, for me, created the idea that comedy could be great and mean something. And Kevin used to hurt my stomach and he made me believe there was NOTHING you couldn't do on stage if you have the SKILL. He was outrageous and obnoxious stupid and childish and it all worked because he was blindingly good and musical and smooth and perfect and joyful in every show he did.
Where Barry taught us that there was a smart, profound integrity to be mined in comedy - that you could speak truth and be funny. That Standup was an art, that it was a form of literature and political and social insurgence and still be just goddamn funnny and sound like that guy you love listening to at the end of the bar you go to after work.
Kevin taught us that you can reach down into your very babyhood and just be as silly and insane as you want, that you can smash the structure and just talk like your mother and sing Wayne Newton and scream and sing and if you carry that off with confidence and skill, the audience will follow you everywhere.
Another thing I learned from Barry and an element he brings to comedy that is very rare. This is important:
A lot of comedy is a defense. A shield or an arrow shot by a wounded person into a cruel world. A lot of comedy is about not giving a shit. Or trying not to. Or acting like things don't hurt. Or like it doesn't matter that it hurts when it does.
In Barry's very face as he talks you can see that life hurts. And that he's acutely aware of human suffering. Of lies and pain. And that it matters to him. He is angry because he loves human beings. And he gives you all of his feelings in all of his vulnerability even as he survives and laughs and makes us laugh.
So... it was really these two guys, Barry and Kevin, who shaped me as the comedian I am today and who gave me the opportunity to work at it and do it for myself. And I am ETERNALLY grateful to have gotten to call them both my friends. One of them I lost on Friday. The other one, I bring to you here.
I learned that Kevin died when I wrote Barry to ask him for some bio information that I could use to write this email to introduce his special. He wrote me back...
"No easy way to say this but I just received word that Kevin Meaney died, apparently of a heart attack. I will get to this ASAP but I just learned of this five minutes ago and he was one of my dearest, dearest friends and I'm pretty fucked up at the moment."
I was shocked and heartbroken. Yesterday, Barry and I discussed delaying the premiere of his special, which has been scheduled for today for a while. We struggled with what to do. Obviously, we decided to release it on schedule. The deciding factor was that Barry told me that Kevin, who he talked to frequently, was very excited to have this come out. He was excited for Barry and for people to finally see his friend in all his glory.
I'm also not regretful to have this opportunity, though it's messy in timing, to tell you how I feel about my friend and mentor who is gone at the same time I can tell you how I feel about my friend and mentor who lives on and to bring you his work and his voice and his greatness.
Ladies and Gentlemen, Barry Crimmins...
Hello, my dear friend. My dear, dear friend. This is Louis CK. I'm writing to you because I am continuing my live standup tour and today I am adding many cities and dates. So I thought you should know about them in case you want to come and see me live. Included with this delightful email is a list of where I am playing and when. Those cities include:
- Chicago, IL
- Madison, WI
- Newark, NJ
- Albany, NY
- New York, NY
- Pittsburgh, PA
- Philadelphia, PA
- Charleston, SC
- Austin, TX
- Dallas, TX
- Miami, FL
- Washington, DC
- Los Angeles, CA
- Vancouver, BC
- Seattle, WA
- Denver, CO
- Portland, OR
If you want to come see me, please go to LouisCK.net to buy tickets to these shows, full of brand new jokes (Since my last special).
My website is always the best place to go for tickets. As always, I'm keeping the price of my tickets down to an average of 50 dollars, including all charges. I know that's not nothing. But it's less than more than that.
The tour dates being announced today cover until mid January. But I will be touring heavily far beyond that. So if you don't see your town on the list, it is likely that I'm coming to you later in the year. It's NOT because I hate your town. Indeed I go to towns that I hate to work all the time. For instance, I played in Kansas City this summer. And I had a great time there. And boy do I hate Kansas City. I hate Kansas City so much, that I had to go to a doctor to "have that looked at". Luckily, the doctor assured me that I am very healthy and that, indeed, Kansas City is an astonishing dump.
This tour has been great so far. I'm really enjoying it. So I'm going to keep it going for a long time. How long? I don't know.
So that is what is up with that. You can buy tickets here:
Also I would like to urge you to watch Pamela Adlon's new series, Better Things, on FX, every Thursday at 10pm. Pamela is amazing and the show is truly great and funny. Also I wrote some of the episodes.
Otherwise nothing much is going on. I'm enjoying being as good a standup comedian as I can be right now and raising my children to the best of my ability, which makes me feel a little bit sorry for my children. But YOU can rest assured that I'm a far better comedian than I am a father. For two simple reasons. You pay me more than my children do. The other reason is that if you apply experience, dedication, time, creativity, carelessness and care, study, patience and just tough hard work, to standup, you get better at it. If you apply all of that to parenting, you get worse.
Hello, owner and operator of a human spleen…
I am bugging you again and this time it’s to let you know that we are adding shows to the global planetary (except I’m not going to a lot of the planet or globe) TOUR that I am currently… doing.
A lot of shows are selling out quickly so we are adding shows in some of those cities. Including…
- The Bill Graham Civic Auditorium in San Francisco on Friday, July 8th.
- Another 2nd show at the Forum in Los Angeles. This one on Monday, July 11th.
- A third show at MSG in NYC on Thursday, September 15th.
- And another night at Wembley Arena in London has been added for Saturday, August 13th.
We will add more shows and more cities to this part of the tour and please remember that this tour will continue into early next year and more dates and cities will be announced in July. So please don’t write me and say “What about Portland? What about Boston!?” Just give me a chance. I’ll get there.
Also tickets are still on sale at the following places…
- Mashantucket, CT
- Chicago, IL
- Wilkes-Barre, PA
- Reading, PA
- Kansas City, MO
- San Francisco, CA
- Oakland, CA
- Inglewood, CA
- Houston, TX
- Nashville, TN
- Greensboro, NC
- Forest Hills, NY
- Milwaukee, WI
- Minneapolis, MN
- Omaha, NE
- St Louis, MO
- Detroit, MI
- Springfield, MA
- London, ENG
- Dublin, IRE
- Amsterdam, NLD
- Jerusalem, Israel
- Helsinki, FIN
- Copenhagen, DEN
- Paris, France
- Prague, CZE
- New York, NY
ALSO as long as I have your attention, for those of you who missed it, I made a TV show called Horace and Pete and you can see it on my website HERE. There are ten episodes and you can buy them all for 31 dollars or separately. The show stars me, Steve Buscemi, Edie Falco, Alan Alda, Jessica Lange, Aidy Bryant, Laurie Metcalfe and many other amazing performers. You can read a review of it HERE and HERE or just go watch it. Also thank you to those of you who have bought Horace and Pete. It’s been a great success and has almost earned as much as it costs to make, which is a rare feat for any television show. Also please ignore the very very very very very stupid clickbait press that says the show was “cancelled” because we FINISHED it. That was one of the dumbest most wilfully stupid things I ever saw. God Bless America.
Anyway, I hope to see you all out there on the road in America and beyond. I started the tour this last week in Baltimore and Asbury Park. I had a great time at all the shows. This week, Foxwoods.
Oh, I’d also like to mention that, a week from this Saturday, I’m producing a standup special, starring the great Barry Crimmins. He is a deep and sharp and hilarious political satirist and a real comic treasure. We are shooting his special in Lawrence Kansas on June 4th. It will be available on my website soon after. More information on that later.
Okay. Enjoy your day.
with general respect for most of you,
Hello donut eaters and those who don’t eat donuts (I think that covers everyone).
I am very excited to announce the summer and early fall dates of this tour. Please go here to buy tickets.
I’m going to be in many cities around the United States of America and cities in other countries such as London, Paris and Prague. Just to be clear, I will be performing standup comedy shows during this tour. It’s all new material (well, I’ve been working on it for about a year, so if you saw me at a club or something since last May or so, you might be seeing some of the same material, though it has changed drastically over the months) but if you’ve seen me on tour, in a major venue, you won’t have seen these particular words.
That’s right. I am not using any words that I have ever said on stage. It was a very difficult challenge. I had to resort to words like “cotton” and “trunk” and even “Salutation”.
Anyway. It’s new jokes and I think I’m better at comedy right now than I’ve been for a while and I’m going to dedicate the year to just doing great live shows. I’m very ready and excited to come to your town and tell this humor with my mouth in the following cities:
- Baltimore, MD (shows added)
- Asbury Park, NJ
- Mashantucket, CT
- Chicago, IL (shows added)
- Wilkes-Barre, PA
- Reading, PA
- Kansas City, MO
- Oakland, CA
- Inglewood, CA
- Houston, TX
- Nashville, TN
- Greensboro, NC
- Forest Hills, NY
- Milwaukee, WI
- Minneapolis, MN
- Omaha, NE
- St Louis, MO
- Detroit, MI
- Springfield, MA
- London, ENG
- Dublin, IRE
- Paris, France
- Amsterdam, NLD
- Prague, Czech Republic
- Jerusalem, Israel
- Helsinki, FIN
- Copenhagen, DEN
- New York, NY
If you don’t see your city or one close to you on this list, please note that this tour will continue through (at least) December. More cities will be announced for later fall and winter, probably in July.
If you don’t want to come see me live… well… okay. Don’t. Totally. It’s fine.
See you out there.
ps. A word about TICKETS….
Tickets for this tour, as always, are available through my website louisck.net.
Tickets for every seat at every show (with a few exceptions) are one price. Most tickets are $50 or less. There are no ticket fees for any shows. My agent worked hard to accomplish this by negotiating in every city and finding venues that were willing to help us make the shows affordable. In some cases, the venues and I are splitting the ticket charges between us so you don’t have to pay it. In the end it’s worth it to me because I don’t want coming to see me to be a painful choice for anyone and either way I’m making plenty of money on the tour. I sincerely hope that everyone takes advantage of this by simply buying the affordable tickets and coming to the shows. For those of you who plan to take the opportunity of the simple and cheap ticketing on this tour to make a profit at the expense of my fans, please note that we are working hard to prevent scalping and that if you resell your tickets at an unfair price, you are risking having your tickets invalidated. Also if you purchase tickets to my shows from Stubhub or other scalping sites, that ticket may not be valid.
If you buy tickets to one of my shows and you can’t go, or you somehow get stuck with them, please contact us at Lcktix16@gmail.com and we will try to help you get your money back. If you buy tickets from a reseller and they get cancelled, please contact us here because we probably now have that ticket and are going to throw it back on sale at the original price and you could get it that way. In any case, you can always reach out and we will try to help you.
That’s in America. In Europe and Israel I don’t honestly know what we are charging because the ticketing systems there are very different. It’s taken us a few years to build the relationships we have with the venues and ticket companies here in the states so we could pull this off. Over there we are trusting their system to take care of you.
PPS: Just before I sent this out I learned that tickets are already on sale in Israel and Ireland. I heard that the site in Israel crashed and nobody can get tickets. Please be patient as we work on this.
Also, FYI, please note that we added new shows in Baltimore and Chicago.
Hello getter of this message.
I'm writing to tell you that I'm going on tour, doing standup comedy, all over the country and world for the next year (or so) starting next week. In Baltimore.
Today the Spring tour dates go on sale. This coming Monday we will announce and put on sale the dates for summer and some of the fall.
Here are the dates and cities that are on sale now at https://louisck.net/tour-dates:
Lyric Theatre, Baltimore, MD: 5/17/2016
Lyric Theatre, Baltimore, MD: 5/17/2016 *late show
Lyric Theatre, Baltimore, MD: 5/18/2016
Paramount Theatre, Asbury Park, NJ: 5/19/2016
Paramount Theatre, Asbury Park, NJ: 5/20/2016
Foxwoods Grand Theatre, Mashantucket, CT: 5/25/2016
Foxwoods Grand Theatre, Mashantucket, CT: 5/26/2016
Chicago Theatre, Chicago, IL: 5/31/2016
Chicago Theatre, Chicago, IL: 6/1/2016
Chicago Theatre, Chicago, IL: 6/2/2016
Chicago Theatre, Chicago, IL: 6/3/2016
Mohegan Sun Arena, Wilkes Barre, PA: 6/8/2016
Santander Arena, Reading, PA: 6/9/2016
For the rest of you in other cities and in Europe and beyond, look for an email coming next Monday (May 16th).
I've been working on this particular standup material for a long time and I'm excited to bring it to you on all these various stages.
As always when I tour, we are keeping the ticket prices low and eliminating all extra ticketing fees and keeping the tickets away from scalpers as much as possible.
See you out there! (Well, you'll see me if you come to the shows. I'll see you mostly as a general group. Not as individuals)
Hi. So. That was it. I didn’t want to say, in the last email, that it was the last episode. Because I didn’t want you to know, as you watched the episode, that it would be the last one. But yeah, obviously, That was it.
I’m writing you now for two reasons.
Reason one is to tell you that you can now buy the entire season of Horace and Pete with one payment of 31 dollars. This feature also includes “complete my season” so if you have bought some episodes already just log into the site and click the complete season button and you can fill out the rest of the episodes. You can also gift the whole season to someone you think needs to see it.
Go here to buy the complete season of Horace and Pete.
I know that people have wanted to buy the whole season at one time since we started the show. But you see we made the show one episode at a time on a weekly basis as it aired so if I had let you pay ahead of time, and then something happened that would have prevented me from making the whole season, I would have owed a dizzying amount of people a small amount of money each.
Now that I have finished the season, we can offer it to you this way. We don’t offer a discount for buying all episodes, because that isn’t fair to those who bought them one at a time, with no other option at the time.
And I also don't want to penalize people who want to sample one show or more first. It's just simpler to charge the same either way.
The second reason is that I wanted to say it is a singular experience to have done this show and a very very sad thing to be done doing it. I loved telling that/those story(ies). I loved working in that (fake) bar with that crew for those ten weeks. It was a wicked high privilege to act with those actors. I mean holy shit. Those actors. Steve Buscemi, Edie Falco, Alan Alda, Jessica Lange, Aidy Bryant, Laurie Metcalf, Maria Dizzia, my good friends Steven Wright and Nick DiPaolo. Watching the budding talent of new kids like Kurt Metzger. Fly-by encounters with greats like George Wallace, Burt Young, Colin Quinn, Rick Shapiro, Tom Noonan, Reg E. Cathey, Craig muMs Grant. Sitting across from home run hitters like Karen Pittman, Nina Arianda, Amy Sedaris, while all I had to do was twirl my finger in the air like an umpire watching it go over the fence.
And the pleasure and satisfaction of working again with my constant partners for so many years. Blair Breard, who produces the show and everything else that I do. Paul Koestner, the great eye (Director of photography) who gave the show such a lovely and original look. Amy Silver, the production designer, who made Horace and Pete’s real. I don’t know how she did it. I believed every day that that bar was real and had stood in that spot for 100 years.
And the new experience of learning to trust an editor. Gina Samson has been my assistant editor for 5 seasons of Louie. On Horace and Pete I let her take over and show me a new way to look at the things I make and boy did it pay off.
Vernon Chatman, Dino Stamatopolous and Annie Baker, all world-class writers, were there to help me see what was going on as I did my stupid acting.
The camera operators, who were your eyes on a basically live show. They were Todd, Ricardo Nico and Ruben.
Those are the names at my disposal at this moment and the rest will hate me but thanks to Everyone in the booth. The carpenters, the gaffers. John and Wyatt on sound. Chris the on set art guy. The directorial department. Giles and Caspar who made the website easy and cool to use. This was a dedicated crew who really cared about the show being as good as we could make it.
To have had the opportunity to work with Paul Simon and have the tone literally set by his voice, his melody, his words. I hope that I earned that one.
And it was great to share this with all of you in this unique and intimate way. I don’t usually read the emails that I get on my website but I read a lot of yours. Because this show was for you and a lot of you were passionate in what you wrote back about it.
I chose to do the show this way, knowing that it would be a quiet and strange experiment and that only a few of us would take part in this stage of it, that has just ended. The creating, unfolding and watching of the show, one episode at a time, from nothing. I am grateful to all of you that took this trip with me the way that you did, not knowing what you were getting, how much you were getting or how it would all feel. I was right there with you. I didn’t know how any of this would go or feel.
I'm grateful to the TV critics that got out in front and wrote so thoughtfully about the show and the experience. I enjoyed reading it. After we shot the last episode, the cast crew and I put real beer on the taps at Horace and Pete's and we had a drink and we talked. I don’t think we’ll ever experience anything like that show again. I miss all of them.
So now the show is finished. It’s complete. Now I’ll go and tell the world about it, and ask them to come see what we made.
I’m excited because I’ve been dying to talk about it. It was so fun and so goddam weird, what I just went through. And it continues to be so. Sorry ahead of time for how annoying it will be to see me and hear me yammering about this show and promoting it, flying in the face of the whole idea of watching a show from nothing and seeing where it goes. But I want folks to see this show.
Thank you again to those of you who watched with us as we made it. To those of you who haven’t, I can tell you, now that it’s done, it’s a fucking good show. It really is. You can go and google it and read many terrific reviews.
Yes that was me bragging about the reviews.
And you can watch a few stolen clips on youtube. But if you really want to experience this show the way we all have, just start watching it. Take a chance with a few bucks and give it a shot. Buy an episode and see. Or
Take your time watching it. Give it time. It doesn’t really follow any rhythms that you’re used to. So watch that one and wait a week and think about it. Then watch another one.
And once again thank you to the folks who already watched.
Take care. Be well. See you around.
I have nothing clever to say. But I would like you very much to know that episode 10 of Horace and Pete is ready right here.
Enjoy. Be well. Don’t blow a guy named Mel.
Unless… you really like Mel. In which case, it’s totally up to you. And Mel.
See? I told you I had nothing clever to say.